Juliette is often in way over her head, facing down lies that have been ingrained over generations, yet that makes it all the more effective when she carries on. There are a whole host of other power players we come to know, but it is her performance that provides the emotional core. However, none of this would be anywhere near as impactful without Ferguson leading the way. From the spiraling staircase that governs their lives to the small portal they have to the outside world, Silo's production design is practically minimalistic yet still effective. The mystery, though always looming over the story, is less central than how these characters have carved out a life for themselves after the supposed destruction of the world as we know it. Observing characters as they look out at the stars they can’t understand or share a final meal together before the end they know is coming brings with it a somber tone that suits the series well. With that being said, while Silo is a great deal blunter in its dialogue that lays out its themes and ideas, the outside details find something more moving. It bears similarities to a film like Snowpiercer, only without the same narrative propulsion and more visually dynamic sequences. This is despite the fact that they keep the entire silo operating, putting their lives on the line to repair the source of all their energy in one of the more thrilling sequences of the series. We see how this society under the ground has become stratified with Juliette and those of the lower levels all being viewed as lesser. RELATED: New 'Silo' Trailer Sees Rebecca Ferguson and David Oyelowo Threaten Order in Dystopian ThrillerĪlthough certain episodes can feel like they are going in circles, Silo still draws us into this world with the little moments just as much as the big ones. It falls to the engineer Juliette, played by a spectacularly stoic Rebecca Ferguson, to find the truth when no one else will. However, rather than follow them while they begin to piece it together and challenge the rules that govern their lives, the series pulls away to take us on the journey of another. When they discover information that they aren’t supposed to, they come to doubt all of what they have been told. Allison ( Rashida Jones) works in IT while Holston ( David Oyelowo) is the sheriff of the entire silo. All of this is first seen through the eyes of a couple trying to have a child. If anyone were to even say they wanted to go see the outside world for themselves, they are subsequently forced to do so and abandoned to perish alone. Skepticism about this reality is baked in from the start - any discussion of the past is not just frowned upon, but heavily criminalized. Adapted from the book series of the same name by Hugh Howey, it places us in a dystopian future deep underground where thousands of residents are told that the world above is uninhabitable and going there means death. For the characters of the Apple TV+ series Silo, life is defined by immense uncertainty.
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